Location: Auckland, New Zealand | Height: 162 cm | Hair Colour: Brown | Eye Colour: Blue | Ethnicity: European
She / Her
| 2021 | Theatre Show : Coded | Auckland Fringe Award | PAANZ |
| 2013 | Shortland Street | Role: Erin Baker [guest] | South Pacific Pictures - Director: Oliver Driver |
| 2018 | 13 Suspects | Role: Maia | The Actors Program - Director: Emmett Skilton |
| 2016 | Let's Go to Shinjo | Role: Sophia [lead] | Numazawa Company, Japan |
| 2022 | The Whale Rider | Role: Kahu [lead] | Tim Bray Theatre Company - Director: Tim Bray |
| 2021 | Coded | Role: lead - solo performer | Auckland Fringe Festival |
| 2020 - 2021 | Witness Program [Tour] | Role: Various | Director: Susan Haldane |
| 2019 | An Organ of Soft Tissue | Role: Various | Basement Theatre - Director: Rachael Longshaw-Park |
| 2019 | The love of Four Colonels | Role: Aime Frappot | The Directors' Program - Director: Shaun Swaine |
| 2018 | Jacinda | Role: Isla | The Actors Program - Director: Sam Sneddon |
| 2017 | As You Like It | Role: Ensemble | AUSA Summer Shakespeare - Director: Benjamin Henson |
| 2017 | Tour of the Civic Theatre | Role: Various | Auckland Live - Director: Alex Bonham |
| 2016 | A Night of Malevolence | Role: Mary [lead] | Auckland Music Theatre 'Next Gen' Program - Director: Kieran Craft |
| 2016 | The Power of the Senses | Role: May [lead] | The University of Auckland - Director: Rachael Longshaw-Park |
| 2015 | Do People Dance When They're Married | Role: Megan | The University of Auckland - Director: Rachael Longshaw-Park |
| 2014 | The Cagebirds | Role: The Constant Twitting | Wild Boy Productions - Director: Lisa Fothergill |
| 2013 | Birth/Death | Role: Margery | Don't Blink Theatre Company - Director: Andrew Parker |
| 2013 | Like There's No Tomorrow | Role: Lydia [ensemble] | Auckland Theatre Company - Director: Robin Kerr and Eleanor Bishop |
| 2013 | Oedipus | Role: Ismene | Stage Two Theatre Company - Director: James Wenley |
| 2013 | Women: A Collection of Absurdist Monologues | Monologue: Rising Tide | I'm Not Content Productions - Director: Ashton Brown |
| 2012 | Taming of the Shrew | Role: Biondello | Young Auckland Shakespeare Company - Director: Rita Stone |
| 2020 | Carlton Dry - Australia | Role: Disciple |
Special Group [Sydney] - Producer: Paul Johnson Good Oil Films - Director: Adam Gunser |
| 2022 | Chekhov Technique | Tutor: Elena Stejko | Specifically for Screen |
| 2022 | Screen Acting | Tutor: Bill O'Leary | Equity |
| 2021 | Comedy Workshop | Tutor: Thom Monckton | |
| 2021 | The Radical Actor | Tutor: Jon Hunter | |
| 2019 | Howard Fine Masterclass | Tutor: Howard Fine | Equity Foundation MEAA |
| 2018 | Diploma of Achievement | Tutors: Various |
The Actors' Program Performance in Theatrical & Screen Arts |
| 2013 | ATC Summer School | Tutors: Various | Auckland Theatre Company |
| 2012 | Shakespeare Training | Tutor: Rita Stone | Young Shakespeare Company |
| 2021 | Beezley & the Witch | Role: Narrater | Findaway Voices |
| 2019 - 2022 | Commercial Voiceovers | Role: Voice Artist | Various Brands |
| Accents | American - Standard, Australian, English - RP |
| Dance | Musical Theatre, Swing |
| Languages | Japanese » Conversational |
| Other | Character Voices, Clowning, Puppetry, Self-Testing - Excellent, Voiceovers |
| Singing | Mezzo Soprano, Musical Theatre |
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